Sunday, October 19, 2008
NATIONAL HISTORICAL INSTITUTE

The National Historical Institute will be celebrating its 75th anniversary this week. The entire place was abuzz with people who were working on the final stages of the building's refurbishment when I stopped by there last Friday. Even the elevators were being worked on; hence, I had to walk up the stairs all the way to the third floor to get to its bookstore.
Presently chaired by Prof. Ambeth R. Ocampo, and administered by Director Ludovico D. Badoy and Deputy Executive Director Emelita V. Almosara, the National Historical Institute Board boasts of a group of distinguished scholars for its members: Jose Cruz, S.J, Heidi K. Gloria, Benito J. Legarda, Serafin D. Quiason, Corazon S. Alvina (Director of the National Museum) and Prudenciana C. Cruz (Director of the National Library).
And according to its Web site:
NHI’s forerunner was the Philippine Historical Research and Markers Committee (PHRMC) created in 1933 by virtue of Executive Order No. 451 signed by American Governor General Frank Murphy. PHRMC's mission was to identify, designate and appropriately mark the many antiquities of the Philippines. The chosen head of the committee was an American journalist Walter Robb, while other members of the committee included Fr. Miguel Selga, S.J, Prof. Otley Beyer, Prof. Jayme C. De Veyra, Prof. Conrado Benitez, Dean Edward Hyde and Eulogio B. Rodriguez.
The PHRMC, however, was abolished following the inauguration of the Commonwealth Government. Philippine Historical Committee (PHC), though, was created by Executive Order No. 91, dated 23 January 1937, to assume the same responsibilities as that of its predecessor. The PHC performed its mandate for about five years, from its creation until the outbreak of the Second World War. When the country was occupied by the Japanese Forces, PHC was abolished and its functions were absorbed by the Commission of Education, Health and Public Welfare. On 20 January 1947, six months following the inauguration of the Third Philippine Republic, the PHC was reconstituted, and was placed under the Office of the President and later transferred to the Department of Education.
During its 28 years of existence, the PHC was able to install about 444 historical markers all over the Philippines. It was also able to acquire historical shrines such as Mabini Shrine in Tanauan, Batangas and its counterpart in Manila and the Juan Luna Memorial Shrine in Badoc, Ilocos Norte. The PHC was also responsible in reconstructing the Rizal home in Calamba and collect about 600 rare Rizaliana items and took charge on concerns about naming and renaming of streets, plazas, towns and other public sites.
Meanwhile, alongside with the PHC, the Jose Rizal National Centennial Commission (JRNCC) was also created by virtue of Executive Order No. 52 dated 10 August 1954. It was created to take charge of the preparations for Jose Rizal’s birth centenary. For about six months, this commission published books on the works of our national hero. JRNCC was later converted and became Rizal Presidential Committee on 1 July 1962 after President Diosdado Macapal issued Executive Order No. 14.
Before 1962 ended, President Macapagal issued Executive Order No. 28 that amended EO No. 14 which paved way for the creation of the National Heroes Commission with the additional task of conducting preparations for the centennial birth celebrations of Filipino heroes and luminaries. The NHC was placed under the direct supervision of the Secretary of Education. Meanwhile, the Rizal Shrine in Calamba was placed under the supervision of the Director of the National Museum while research and publication works were directed by the Director of the National Library.
In 1962, there was a social and political clamor for the creation of a historical body with functions and duties were broader than those of the existing PHC and NHC. In 1962 three bills were filed, one from the Congress and two from the Senate. The said bills possessed the same objective—the creation of a historical commission. Sen. Camilo Osias and Sen. Eulogio Balao co-authored Senate Bill No. 18 approved by the Senate on 9 March 1964 while House Bill No. 2241 sponsored by Rep. Salih Ututalum was approved by the Congress on 7 May 1965.
To fuse Senate Bill No. 18 and House Bill No. 2241, a conference was held attended by members of both houses on 18 May 1965. Senator Francisco Rodrigo amended the title of the proposed historical body from Heroes Commission to Historical Commission. The fused bill was finally approved on 19 June 1965 as Republic Act No. 4368.
From 1 July 1965, the NHC and the PHC were merged and named National Historical Commission which started to function as a separate bureau under Department of Education and Culture. Its functions were divided into research, administration of shrines, monuments and markers and general administration. Under the chairmanship of Mrs. Carmen Guerrero-Nakpil, activities were launched in full blast despite limited fund. One of the major projects of NHC was the floating museum dubbed as KASAYSAYAN that brought NHC to various places in the Philippines to reach the public. This effort was continued by the succeeding heads of the agency.
In 1972, in accordance with Presidential Decree No. 1 of 24 September 1972 otherwise known as an Act Reorganizing the Executive Branch of the Government, the National Historical Institute was created. In line with this aim of streamlining government entities performing identical or parallel functions with that of NHI, agencies like National Historical Commission, Intramuros Restoration Committee, Roxas Memorial Commission, Quezon Memorial Committee, Emilio Aguinaldo National Centennial Commission, Gomes-Burgos-Zamora Centennial Commission and the Pinaglabanan Commemorative Commission were abolished while transferring all of their functions, records, appropriations, records and properties to the NHI.
To read more about the history of the National Historical Institute, click here.
To view some vintage photos from its archives, click here.
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Please note:
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
Labels: events, National Historic Institute
posted by Señor Enrique at 7:57 AM
| 10 comments
Saturday, October 04, 2008
ARTISTS' FLEA MARKET AT CUBAO EXPO

In case you haven't any thing special planned for this weekend, you may want to check out the Cubao Expo Artists' Flea Market -- going on since Friday, October 3 until tomorrow, Sunday -- from 2 pm until midnight. Evening live music performances are provided as well for everyone's enjoyment.
Our fellow blogger, artist Palma Tayona, is participating in this event to sell some of his old drawings -- ranging in price from 200 to 3,500 pesos -- as well as children's books he had designed, including canvas tote bags and wallets that bear images of his old study priced from 100 to 315 pesos.
For refreshments and delectable treats, this bohemian enclave boasts of a few funky bistros, including the Italian restaurant Bellini's.
For more information and to see a map of Cubao X, visit Visual Viscera.
* Refresh screen to replay slide show!
Related link:
An Artist in Libertad
An Artist in Libertad
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Please note:
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
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Visit: MANILA PHOTOJOURNALISM
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I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
*
Visit: MANILA PHOTOJOURNALISM
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Labels: art matters, events, Featured artist
posted by Señor Enrique at 5:22 AM
| 28 comments
Monday, February 05, 2007
FUJI MAGIC AT PHOTOWORLD 2007

A week before the start of this event, Ariel Tresvalles, Fuji/YKL’s vice president of marketing, invited all amateur photographers to email him five copies that best convey the particular field in photography that he wishes to pursue — travel, photojournalism, weddings and events, portraiture, or advertising. He would then match the amateur’s intended career path with that of a prominent professional photographer for a one-on-one session or critique.
I had photojournalism and human interest in mind so I emailed Ariel five pictures along that vein. He emailed back to advise me to have those pictures printed in 8x10, as well as to be at Fuji’s booth in Glorietta at a particular time and date.
Ariel matched me with Bobot Meru. Those in the local photography circuit long enough would have certainly heard of him or know him. He has been a photojournalist and commercial photographer since the seventies, and has achieved great success in every aspect of photography that he ventured into. Suffice it to say, Bobot Meru is a master photographer.
I had almost two hours of private lessons with Bobot. On top of it, Ariel would sit down and join us every now and then, so in effect, I had two experts sharing their many years of invaluable line-of-fire experiences for my benefit — free of charge; courtesy of Fuji.
In the end, they gave me this bottom line advice that I must work on: from Bobot, to truly master my camera; and from Ariel, to clarify my intention with the camera. I came out of that session feeling so blessed for having had the opportunity to learn from these two gentlemen. It was, indeed, a magical moment.
Thank you, Ariel! Thank you, Bobot! And thank you, Fuji!
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Labels: cameras, events, Fuji, manila events, photography, travel
posted by Señor Enrique at 12:06 PM
| 28 comments