Saturday, January 10, 2009
THE BLACK NAZARENE FEAST - 2009

Like most grand events in Manila, yesterday's fiesta in Quiapo -- highlighted by the Black Nazarene parade -- was not without drama; this one was a case of the peoples' will versus that of the organizers'.
The intent of the latter was to create the safest route possible for all the participants and spectators as the Black Nazarene is paraded from the Quirino Grandstand in Luneta back to Quiapo Church. A noble intention, indeed; however, the local folks would hear none of it. They demanded the parade takes its usual, traditional route even if some streets along the way may not be as wide as Rizal and Recto Avenues.
They also argued that those who experienced serious injuries and even death in the past years were either drunk and foolhardy, or had simply overestimated their physical abilities to withstand the grueling task of pulling the rope while being literally crushed on all sides by their fellow barefoot devotees.
The organizers remained adamant; seemingly indifferent to the religious and cultural traditions held high by the local folks. In the end, the seething locals were left without any other recourse but to snatch the Black Nazarene from the newly-planned parade route -- as soon as it crossed over the MacArthur Bridge from Plaza Lawton. And they did!
A large number of Quiapo residents -- longtime devotees wearing white ribbons tied around their foreheads -- overwhelmed the visiting devotees who were pulling the ropes that moved the Black Nazarene cart. Grabbing the leading part of the ropes, the locals redirected the flow of the parade to their liking -- generally, back to its usual route that has been the tradition for many decades.
The authorities on the scene immediately decided to no longer oppose the will of the local folks so as to diffuse a volatile situation. The parade then proceeded peacefully without any incident of death as in the past years. There were reports, however, of minor cuts and abrasions on the feet of some devotees, as well as cases of fainting spells due to sheer exhaustion.
Incidentally, thousands of spectators and several media television crews along the new route were sorely disappointed upon realizing that no parade was ever heading their way. On the other hand, the residents on the old route and their fiesta visitors were ecstatic.


Minors are discouraged from joining the Black Nazarene feast parade, which has traditionally been marred by injuries and even death. Despite these frightful facts, going barefoot to pull one of the ropes of the cart that carries the Black Nazarene is deemed an honorable rite of passage by many Metro Manila youngsters. Longtime devotees take pride in having started when they were merely 14 or 15 years of age.
For some Quiapo kids, they join the parade early in the morning and for as long as they could tolerate its physical demands; returning to their respective neighborhood afterwards to take a much needed break. They would rejoin the parade wherever it might happen to be -- to insinuate themselves with crude force back into a crowd pulling the cart that is sometimes coursing with perilous asymmetrical movements.
The younger kids often go with their elders to join the parade but situate themselves a safe distance behind the Black Nazarene cart, while some remain on their particular block; keeping an eye out for passing celebrities. Supposedly, quite a number of them happen to be devotees such as Jomi Teotico of the Pinoy Fear Factor.


The parade could last for more than 12 hours; hence, not every one who join is able to withstand the entire duration. There are those who join for only as long as they could physically manage, while others do so for only a few minutes, such as some politicians who do it more for the photo opportunity.
There is also the faithful lot, joining the parade only during the late afternoon or early evening hours due to work or family obligation constraints.
The video below shows the procession at around 7:30 pm as it passed the corner of Guzman and Morillo Streets. I realized that the only way I could get as close as possible to those pulling the ropes of the Black Nazarene cart would be at such spot (a narrow side street) and at such time.
Nonetheless, notice how some people tried to squeeze through in order to be able to pull the rope, and the grim persistence etched on the faces of some devotees who remained pulling the ropes, even though appearing to be at the brink of collapse. Take note as well of those who climb over peoples' shoulders just to get on the cart and touch the Black Nazarene statue or the cross with their towels.
Also a common sight during the parade, which was captured by this video, was that of residents offering free water and bread to the exhausted devotees.
The cart of the Black Nazarene of Quiapo Church is followed by a number of replicas owned by various groups of devotees from Metro Manila and the provinces. Some opt to participate in the parade from start to finish, while others for only a few hours. Every year, many devotees start camping out on Plaza Miranda the night before the feast.
Without a doubt, with devotees coming in droves to participate in the celebration of the feast of the Black Nazarene, the Quiapo Fiesta is regarded as Manila's most heavily attended event.
all images © 2009 Señor Enrique
Related links:
Cardinal to lead Friday’s Black Nazarene feast - CBCP News
Red Cross: 229 treated at Nazarene feast - Inquirer
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Please note:
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
Labels: Black Nazarene, event, life in Manila, Quiapo
posted by Señor Enrique at 9:53 AM
| 45 comments
Monday, November 03, 2008
PHOTO EXHIBIT: CHEMA MADOZ



His photographs can be interpreted as poetry in varying degrees. They can be read as poetry, appreciated intellectually, or perceived aesthetically. Chema Madoz has devised his own language of expression; tackling his subject in one of three ways: as found, manipulated, or recreated in his studio.
Commissioned by Catherine Coleman and organized jointly by the Instituto Cervantes and the Ministry of Culture of Spain, the exhibition features more than 40 recent images by this distinguished Spanish photographer.
Chema Madoz (Madrid, 1958) is currently one of the most important exhibitors of Spanish photography. In this recent works, he highlights daily routines by way of metaphors and visual display; directing the viewer's attention to new perspectives of seeing what is hidden or what has occurred unnoticed.

October 17 to November 29
Monday to Saturday
9 am to 8 pm
INSTITUTO CERVANTES
855 T.M. Kalaw Street
1000 Ermita, Manila
near U.N. LRT Station
Telephone: (632) 526-1482
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Please note:
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
I very much appreciate my articles and photos appearing on fellow bloggers' sites, popular broadsheets, and local broadcast news segments, but I would appreciate even more a request for permission first.
Thank you!
Labels: event, photography
posted by Señor Enrique at 5:51 AM
| 21 comments